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Stop Telling Me It's Impossible
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Stop telling me it’s impossible . . . We’ve put men on the moon,
We’ve counted the stars, planets and galaxies,
We’ve built weapons of mass destruction . .
Tikkun Daily Blog Archive (https://www.tikkun.org/tikkundaily/category/politics/page/67/)
Posts about politics and social change, from a spiritual progressive perspective
Stop telling me it’s impossible . . . We’ve put men on the moon,
We’ve counted the stars, planets and galaxies,
We’ve built weapons of mass destruction . .
A picture is worth a thousand words, even more so in the digital age than ever before. My experience has been that images are amazing things, with the power to anger, comfort or heal. They have the power to change opinion, to reflect harsh realities. And the last two days have been fraught with all the baggage that comes from one tiny image with a huge message. You know the one I’m talking about, of course.
But his writings didn’t venture into the overtly political. His life’s work – his gift – was to find a way of entering into his patients’ inner worlds not as a detached clinician but as a fellow human being, and to find a form of words to describe the experiences being suffered or endured or just lived with.
Kentucky Clerk Kim Davis was jailed today by a federal judge for failing to issue marriage licenses, a duty she is sworn to carry out, but which she has refused to do since the Supreme Court decided that LGBTQ people could get married in all 50 states. She claims that her religious beliefs trump the law, saying that issuing licenses to gay couples “irreparably and irreversibly violates her conscience.” “I myself have genuinely held religious beliefs,” the judge said, but “I took an oath.” He noted: “Mrs. Davis took an oath. Oaths mean things.”
Chávez was a democratically elected president, elected by a wide margin after running as an outsider in Venezuela’s fixed two-party system. His first acts as president were to wipe out illiteracy, establish healthcare clinics in the poorest barrios, and create a brand new constitution based on citizen input and participatory democracy. I wish our democratically elected presidents and governors would build our hopes up by empowering us with better education, healthcare for all, and new rules to improve rather than degrade our democracy.
Do a little thought experiment with me. Imagine we’re sitting over a drink in your favorite place, but it’s 20 years from now. Instead of the dystopia mass media tell us to expect, look around: it’s the future we wanted to inhabit! “Think about how it would have been back then,” you say, “if we’d only known we had the power to accomplish all this.” “Yes,” I reply, rolling my eyes.
The Helen Diller Family Foundation today awarded 15 young leaders from California and across the nation the 2015 Diller Teen Tikkun Olam Awards in recognition of their exceptional leadership and commitment to tikkun olam, repairing the world.
There are visual moments which have the capacity to shift perceptions and increase awareness in ways that are unmatched by words or data. Moments captured on film which are fleeting, but remain indelible long after they’ve passed. Such a moment occurred on Friday in the West Bank, the images of which are spreading rapidly.
Here’s an excerpt from the recent memoir, I Want to Be Left Behind: Finding Rapture Here on Earth, by author Brenda Peterson, which describes the darkly comic, but deeply troubling world view that comes from this Rapture-bound belief still shaping our Middle East policies.
Grahame Perry creates photo collages and manipulated photos, with a colorful pop art sensibility, that show his own experiences as a long-time survivor of HIV. His work is both political and personal and conveys feelings ranging from frustration and mourning to hope. His series Materials of Survival explores his relationship to medication and the complex and evolving culture around HIV treatment. Ultimately his art raises questions about how new medical technology interacts with culture to color people’s lived experiences and senses of self. Perry recently showed his work in SF Camerawork’s exhibit Long Term Survivor Project.