Muhammad Ali is the Truth

Muhammad Ali is the truth. Even though Ali laid his body down on Friday, June 3, 2016, a body that was fast and strong and weak and trembling, the essence, excellence, beauty, and truth of the man remains.
Muhammad Ali is the truth. His life tells us that to be excellent at anything, we have to put in the work. He started boxing when he was 12-years-old. He trained six days a week for more than twenty years. Joe Martin, the police officer who taught him how to box, and Angelo Dundee, his trainer for his entire boxing career, both agree that he was the hardest worker they ever trained. As a teenager, he ran to school rather than ride the bus. He asked his brother to throw rocks at him so he could work on his reflexes. He ran long distances in Miami to the point where the police contacted Dundee to confirm that Ali was a professional fighter in training.

Reclaiming Words: Niggas, Bitches, and Queers

WARNING: I will quote the original sources in this essay verbatim. Some people may find the words offensive. Reader discretion is advised. At the 2016 White House Correspondent’s Dinner, the last during the administration of Barack Obama, the first African-American president, comedian Larry Wilmore ended his presentation referring to the president as “my nigga.” His use of the word “nigga” reignited the discussion about when and where and how and by whom the word ought to be used or whether it ought to be used at all.

Sanders is Israel’s Best Friend in 2016

The New York Times has consistently turned its news pages into the loudest cheerleader for Hillary Clinton’s bid for the nomination. If mentioned at all, they bury deep in their paper, Bernie Sanders’ primary wins and the many polls that indicate he’d be more likely to win against Trump than Hillary. So it’s no surprise that when Bernie won permission to appoint 5 of the 15 members of the Platform Committee of the Democratic Party Convention, the Times focused the story on the possibility that 2 of these appointees, James Zogby and Cornel West, would turn the convention into a debate about US policy towards Israel, and thereby weaken Hillary’s capacity to fight off Trump in the general election. There was nothing in the story to confirm that these appointees had any such intention, but that didn’t keep the N.Y. Times from making this front page story a way to once again stir worries that Bernie’s vigorous pursuit of the nomination (as Hillary Clinton herself had done in 2008 against Obama even after it was clear she would not win the nomination) was going to hurt Hillary’s chances in the Fall election–thus creating the story should Hillary lose that it was really all the fault of that socialist Jew from Vermont!

President Obama & Hiroshima: A Pathway to National Atonement

President Obama, as leader of the nation, and inheriting a morally corrupt military system that came into existence long before he assumed office, may not be able or willing to publicly call upon the American people to atone for the war crimes of our own time: above all, the crime of using money and instant social stature to entice financially and emotionally vulnerable young adults into fighting wars in the name of the entire nation, as the rest of us play golf and download our new apps. But today,Friday, May 27, 2016, he has created the emotional space for all of us to put down the blinders of cheap and idolatrous nationalism, and to pray for the moral enlightenment necessary to end the sin of unjust war, of which a pay-incentivized soldiery is its most basic staple.

Bernie Sanders and Comics Part 4: A Historical Note

Comic art, the comic strip and the comic art book, owe less to the Jewish tradition than do film or theater (a favorite quip reads: it would be easier to write a history of American Jews without theater than American theater without Jews … because American theater without Jews would hardly be a history at all). But the tradition, continually growing and changing, still owes a lot to the Jewish tradition, and in several interesting ways.

The Game of Ones

Earlier this month, the Guggenheim Museum announced it had received a “a major grant from the Edmond de Rothschild Foundation to support Guggenheim Social Practice, a new initiative committed to exploring the ways in which artists can initiate projects that engage community participants, together with the museum, to foster new forms of public engagement. As part of the initiative, the museum will commission two separate artist projects, one by Marc Bamuthi Joseph and one by Jon Rubin and Lenka Clayton, which will be developed and presented in New York City in 2016 and 2017, respectively.”
The museum curators who conceived and run this initiative join a growing cohort of gatekeepers at institutions and foundations creating programs shaped by the aesthetic and ethic I’ve started to call the Game of Ones. To play it, you create a competition (whether public and visible or private and quiet, the form remains a contest) which richly rewards – with funds and fanfare – a small number of winners from within a large field of practice.