General News
“Get Out”: the Hidden Injuries of Race and the Horror Genre
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“Get Out” has turned “Guess Who’s Coming to Dinner” on its head, and stands as an incisive critique of white liberalism, revealing that its empathy goes only as far as white control of the system will allow. Beyond that limit white liberalism is shown to be as tainted by racism as overt white supremacism. In an interview for the New York Times, Peele says, “The liberal elite who communicates that we’re not racist in any way is as much of the problem as anything else.