Culture
Dystopia and Datopia?
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Soma or Big Brother? Destruction or distraction? For years “Brave New World” was balanced against “1984”, as though those two works defined the opposite ends of the dystopian spectrum, a spectrum one might presume to be exclusively in shades of grey. And though such an opposition ignores the many other fine works describing the range of hand-baskets in which we may be hell-bound, the pairing offered a useful metaphor. For many, the final word on the debate was Neil Postman’s “Amusing Ourselves to Death: Public Discourse in the Age of Show Business” which in 1986 argued brilliantly that it was Huxley, not Orwell, whose map more accurately charted our society’s devolution.