Racism Stunts Your Growth

A new study correlates racism with reduced creative capacity. Those holding strong prejudices, such as beliefs that inferiority is an essential quality of other races, rely on “rigid, categorical thinking” that “might actually cause people to become unimaginative.” I could have told them that. Back in the 80s, I was involved in a consulting project with the South Carolina Arts Commission.The brief was to address “burnout” in small-town arts organizers, who’d tended to lose heart and retreat despite the state agency’s willingness to provide more than a modicum of funding and assistance. But “burnout” turned out to be a euphemism for banging one’s head against entrenched and often unacknowledged racism.

On Being A Sore Winner

I don’t follow sports except when a new racism flare-up erupts into the media (as in this past November’s Miami Dolphins brouhaha) – although that happens often enough these days that I’m beginning to get the team names straight. These moments draw my attention because questions of racial justice get raised and debated in all sorts of places they aren’t often heard. The culture at large gets involved, a good thing in a society that sometimes has the temerity to bill itself as “post-racial.”

Just Call Me Chief Policy Wonk!

For a year and a half or so, I’ve been an advisor to a new and exciting project, the US Department of Arts and Culture, which is demonstrating the public cultural presence we need in this country by performing it. Watch Deputy Secretary Norman Beckett explain it in a video clip. My role is Chief Policy Wonk, a title I love. Today, the USDAC launches a call for 12 Cultural Agents. Here’s how the press release described it: “This move signals an exciting new phase in the growth of the fledgling department.

Staging Sustainability

I spent a chunk of last week in a very cold and snowy Toronto at Staging Sustainability 2014, a conference with the subtitle “People. Planet. Profit. Performance.” It was masterminded by Ian Garrett of the Center for Sustainable Practice in The Arts, who teaches at York University. The University was one of an impressive array of sponsors, reflecting the reality that many scientists took part side-by-side with artists and scholars.

The Idiocy of The System: A Cultural Lens

I used to love the original “Star Trek,” each episode a short course in cultural anthropology. The Enterprise traipsed through outer space, often stumbling across civilizations running on a distorted operating system that oppressed some inhabitants to benefit others. The distortions being colorfully different from our own, they were easy to spot. For instance, one planet made a holy book out of an account of Roaring Twenties organized crime, left behind by a prior visitor who’d transgressed the prime directive prohibiting cultural interventions that could influence the development of alien civilizations. In that episode, “A Piece of The Action,” the Iotian body politic was enslaved by mob bosses who used tommy guns to retain control of a terrified populace.

Time of Discernment

What is worth discerning as 2013 draws to a close? The discerning eye perceives themes that don’t make headlines, yet may turn out to be the most determinative.

Nostalgie de la Boue

Joseph Epstein is a conservative writer, mid-70s, who has spent much of his literary life pissing off readers with liberal or left values. His newest piece in the Wall Street Journal—”The Late, Great American WASP”—is a case in point, worshipping a bygone American WASP-ocracy that supposedly sacrificed the pleasures of mere domination in favor of power-wielding packaged with a sense of responsibility. While Epstein’s literary output has been polished to a smudgeless sheen, it still reeks of brownnosing, reminding me of the Francophone notion I borrowed for today’s title: nostalgie de la boue. Literally this is: nostalgia—homesickness—for the mud. It is meant to indicate an attraction to whatever is low, crude, degraded, to the romance of the wallow in our sensual nature without the trappings of civilization.

Artification

Is “social practice” yet another insurgent, critical movement being watered-down into something palatable to the establishment art world – something that may reify existing power relations rather than undermining them?