Latin America’s Rising Left

Oliver Stone has provided a great antidote to mainstream U.S. media coverage of Latin America with his latest film, “South of the Border.”

Prophetic Contingency: Why Jim Douglass’s JFK Book Matters

The best way to honor John F. Kennedy’s legacy is to muster the courage to walk again through the “dark history” associated with his short but consequential presidency, in order to learn its lessons and discover its hope. Jim Douglass’s “JFK and the Unspeakable: Why He Died and Why it Matters,” which Touchstone is reissuing this month as a trade paperback, is a reliable guide for that demanding task.

Why the Propaganda?

“A Lethal Obsession: Aanti-Semitism from Antiquity to the Global Jihad” by Robert S. Wistrich: Review by Milton Viorst

Word Jazz: Music and the Poetry of Rav Kook

We can sense the shared matrix of poetry and music in the rhythmic loam of language from which they both arose. Some of our languages preserve the connection in name: in Hebrew we use shirah to signify both song and poem, as if all song implies poetry and all poetry implies music.

The Simpsons: It’s Funny ‘Cause it’s True

Flying into Orlando in a 2003 episode of The Simpsons, patriarch Homer peers down at a theme park and sees a large, distinctive Future Sphere like the one at Disney’s Epcot, and takes a decidedly dim view. “It’s even boring to fly over,” he whines. Thus begins a typically madcap set of misadventures and missteps familiar to any family that has dragged itself to Florida for a vacation it couldn’t afford, including a run-in with a fascist-sounding mouse and grossly overpriced food.

Two Dystopian Movies . . . and their Visions of Hope

WHAT DOES IT MEAN to be human? What is it that limits our humanity, and what causes it to flower? The need to find or create meaning seems to be one commonality of human existence—through storytelling, myth, or religion, we can connect to our core decency, a place untouched by the vagaries of the world. Recently, a cadre of Mexican directors—Alfonso Cuarón (Children of Men), Guillermo del Toro (Pan’s Labyrinth) and Alejandro Gonzáles Iñárritu (Babel)—has taken on our global humanity, offering genre-defying and emotionally rich perspectives