Tikkun (https://www.tikkun.org/category/arts-cultural-critique/culture/page/9/)
Feminist and black womanist reflection have long held that one’s personal experience always has political and universal implications. In light of this claim, the womanist lens that guides my approach to The Obama Question is especially intrigued by Gary Dorrien’s attempt to debunk and redirect racially politicized assumptions that undergird some progressive and leftist perspectives.
If Obama can re-establish the fundamental moral priority for the nation of the public or common good to what the founders originally held dear and what the biblical tradition teaches, he might have a fulcrum by which to pry the American moral spirit free from the prison into which the Tea Party and severely conservative Republicans have confined it.
It took James H. Cone four weeks to write his first book, Black Theology and Black Power, a work surging with revolutionary expectation. It took him six years to write his latest work, The Cross and the Lynching Tree, a book of haunting sorrow and beauty.
I am writing this by the bedside of my ninety-eight-year old mother, watching the life forces slowly ebb. It is a strange privilege, the fear of the inevitable and the sorrow of anticipated loss mingled with gratitude for so many years of presence and a minimum of pain in this twilight time. On the table beside the hospital bed on which Mom lies, rests Eitan Fishbane’s Shadows in Winter: a Memoir of Love and Loss. Eitan is my nephew and Mom’s grandson. In 2007, his wife, Leah, was two months pregnant when she died suddenly at the age of thirty-two of an undetected brain tumor, leaving her husband and a four-year-old daughter.
Working in political isolation from most of his artistic colleagues in Alaska, Mariano Gonzales continues a noble tradition of critical visual consciousness that goes back many centuries and that thrives in the early decades of the twenty-first century. His politically and socially charged images challenge his audiences to think about the major issues of their times.
Graffiti is the most anonymous, intimate expression of how people in Israel/Palestine interact with their reality. The images below chronicle my journey in search of hope and understanding throughout this war-trodden region, narrated in graffiti.
After decades of observation and outright devotion, I believe that even in these difficult days for the sport, baseball continues to instruct on our most fundamental human virtues and values. More to the point, I believe baseball far more that any other team sport embodies and celebrates many of the principles at the core of what it means to be a progressive, and especially a spiritually minded progressive.
The value of sharing and selflessness even gets a nod, as Peter struggles to balance personal obligations with his dawning sense of purpose as a crusading superhero. Go Spidey!
A most unusual book by a most unusual author in the comics world, this small-sized, thick, square volume follows in many ways upon Fredrik Strömberg’s Black Images in the Comics (2001). It also departs in so many other ways that the contrast is vastly illuminating.
We are the beneficiaries of the most advanced audiovisual systems ever known, capable of moving our emotions, challenging our ideas, and opening our imaginations. Is it right that the most technologically sophisticated and financially expensive products of this system are entertainments like the Batman movies, designed to deliver their gratifications not to the mind but to the gut?
Whatever psychological diagnosis ultimately gets pinned to him, Holmes and the act that will forever define him—as he hoped it would—were the products of a peculiarly American set of cultural experiences, values, and motivation, which hold the key to understanding how and the United States seems to produce such a disproportionate number of people who engage in acts of seemingly senseless mass murder.
What’s more Jewish than bagels, lox, and schmear? Film! At least, so says the San Francisco Jewish Film Festival (SFJFF), which invited viewers into and beyond the stereotypes at its Opening Night festivities Thursday evening in San Francisco. A lively and boisterous crowd packed the Castro Theater, kicking off SFJFF’s thirty-second year with the world premiere screening of Roberta Grossman’s comic documentary Hava Nagila (the Movie).
After a week at Burning Man or many hours spent with mutiplayer online role-playing games, are we more or less ready to engage in the task of tikkun?
It is probably impossible to imagine ourselves in the place of the Jewish survivors of World War II and the Holocaust immediately after the war, but this is exactly the task that Yehiel Grenimann, the son of survivors, set for himself. Yanosh and Eva, his central characters, were hidden on the Aryan side of Warsaw, thanks to their connection with the Polish nationalist underground. Yosef Borowski, known as Bora, the third major protagonist, was a partisan leader during the war. The novel begins with the entry of the Soviet army into Warsaw and ends with Yanosh and Eva’s imminent arrival in Australia.
Who knew that by 2012 the world of classical music would be so wonderfully eclectic, unpredictable, and adventurous? Who knew that composers would freely borrow from folk and popular styles, as well as ancient traditions? Listeners are welcoming this trend with relish, turning toward this “new” music for inspiration, soul nourishment, and a connection to ancient roots.