All at Once
Farrar, Straus, and Giroux, 2014
by C.K. Williams
Writers Writing Dying
Farrar, Straus, and Giroux, 2012
by C.K. Williams
On Whitman
Princeton University Press, 2010
by C.K. Williams
In his preface to On Whitman, C. K. Williams says only Shakespeare compares with Walt Whitman in providing him an “inexhaustible” source of inspiration. Yet “with both, but particularly with Whitman, I need a respite, surcease, so as not to be overwhelmed, obliterated. This is more raw than Harold Bloom’s ‘anxiety of influence,’ more primitive.”
On the dust jacket for the Whitman monograph, Michael Robertson calls Williams “one of our most Whitmanesque poets.” The idea of Williams as a Whitman for our time is not wrong, but it is incomplete and potentially misleading. Yes, Williams arrived in his third collection of poems at a long, sinuous free-verse line that reminds one, at first glance, of Whitman. Yes, one finds in Williams great sympathy for the suffering of others and a willingness to open poetry to a wide range of human experience, including parts of it many of us would rather not see.