Art
Correcting the Canon: The African American Feminist Art of Meta Fuller
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In 2012, the gap between the rhetoric of inclusion and the reality of exclusion remains huge. Renée Ater’s new book, Remaking Race and History: The Sculpture of Meta Warrick Fuller, goes a long way in correcting the glaring omission of one of the key African-American woman artists of the twentieth century. Learn how Meta Fuller went from making her art in the evenings after finishing her domestic chores to creating one of the most remarkable Pan-African artworks of that era.