Correcting the Canon: The African American Feminist Art of Meta Fuller

In 2012, the gap between the rhetoric of inclusion and the reality of exclusion remains huge. Renée Ater’s new book, Remaking Race and History: The Sculpture of Meta Warrick Fuller, goes a long way in correcting the glaring omission of one of the key African-American woman artists of the twentieth century. Learn how Meta Fuller went from making her art in the evenings after finishing her domestic chores to creating one of the most remarkable Pan-African artworks of that era.

Last Links: The Jewish Connection to American Social Realism

The number of contemporary American Jewish political artists is enormous — and growing in the early years of the twenty-first century. These creative visual artists follow in the paths of their distinguished Social Realist predecessors by inviting, even compelling, audiences to reflect on such problems as global warming and environmental degradation, continuing manifestations of racism, sexism, and homophobia, seemingly intractable global warfare and American military adventurism, domestic poverty, economic injustice, excessive incarceration, and scores of others.

Tikkun Olam Starts at Home

In 1957, my parents and several other families helped the first African American family move into Levittown, Pennsylvania. That post-war suburb had been previously all white because the developer, William Levitt, a rabbi’s grandson, refused to sell houses to blacks.